Composed, recorded, & mixed mid-December 2009.
Exploring the effect of active, layered stasis on listening over time.
To be played on repeat for as long as desired, at low or high volumes.
[FLAC, 31.4MB] | [Apple Lossless, 31.7MB] | [MP3 (V0), 11.4MB]
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Recorded live in Hales Gymnasium, Oberlin College, Oberlin, OH
2010 10 13, 11:00pm?11:06pm.
No overdubs or editing.
Fischer Gallery, Allen Memorial Art Building
Oberlin College, Oberlin, OH
2011 03 11, 11:42pm?11:55pm.
Site-specific room play using sine tones.
Composed, performed, recorded & mixed on March 21, 2013.
A layering of nine close-mic recordings of two stone structures sounded with a metal knitting needle, exploring the effect of divergence on perceptual stream segregation.
Listen on repeat at a volume such that it is comfortably just-perceptible.
[FLAC, 24.6MB] | [Apple Lossless, 25.4MB] | [MP3 (V0), 8.5MB]
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A modular three-part composition for six styrofoamists, four bowed strings, and four-channel playback.
Stylus may be realized using any sequence, layering, repetition, or omission of the following parts:
Part F, for six styrofoamists. 10'
Part S, for four slowly bowed strings. 10'29"
Part P, for one-to-four-channel playback. 10'
Scores for parts F/S, and multichannel versions of part P are available upon request.
Stylus ver. F, S was first performed on April 21, 2012 as part of Accumulation 01.
Stylus ver. PeS (Dry) [allow 12.3MB stream to load for play button to work]
Stereo mix of part P, with electronic realization of part S. Play over illustrative speakers in resonant spaces.
[FLAC, 26MB] | [Apple Lossless, 27.1MB] | [Ogg Vorbis, 12.3MB]
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Composed Summer 2012.
Intended to be listened on speakers only.
Healthy volume and movement recommended.

Extended reverencing of the craft of Q and The Brothers J.
I. Prelude
II. Empathic repose
III. Breathy lightness
IV. Summer nightpools
[MP3, 47.6MB] | [Apple Lossless, 138.4MB] | [FLAC, 133.5MB]
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